JENNIFER BOLANDE
Mathematics and Myths of Yesterday and Today
Thomas Solomon Gallery is pleased to present two concurrent exhibitions of the work of Jennifer Bolande. Continuing an investigative path begun in the late seventies, Bolande examines linguistic, emotional, and physical responses to the world across an enormous array of media and materials. Although conceptually based, her work evidences a Romanticists’ attraction to the unseen forces of everyday objects and images. With an eye for the coded or buried meanings in a cultural object, in both category and specifics, she sees the many dimensions of meaning embedded in forms we take for granted, such as speakers, globes, and flagpoles. Across three decades, Bolande’s work has remained remarkably consistent in its themes of transience, obsolescence, discovery and landscape.
Initially working in dance and performance, Bolande’s direction was changed by the 1977 Pictures exhibition: influenced by Jack Goldstein’s work in particular, she shifted to photography. Later, attempting to integrate aspects of dance (gesture, muteness, theatricality, temporality) with pictures, she physicalized the photograph in various ways; making photo-objects, sculpture, installation. Bolande has, over the years, continued the endeavor to integrate these distinct perceptual modalities simultaneously working into the gap between other reductive binary pairs, such as audience/performer, public/private, masculine/feminine, memory and expectation.
The exhibition at Cottage Home includes new works, from the series Space Photography, which address space and photography literally as well as figuratively. A recombinant set of elements call out across physical, spatial, and metaphorical boundaries. The photographs momentarily illuminate an abyss, whether of a darkened movie theater or the inky blackness of outer space, addressing distances both large and small. Similarly, a giant illuminated stack of movie marquees speaks to the history of Cottage Home, which was formerly a movie theater. The marquees, ordinarily suspended overhead, are brought down to earth, and at the same time begin an incremental climb from near extinction back up to the sky.
Around the corner at Thomas Solomon Gallery will be a mini-survey of works many of which center on sound and image projections made physical. Featured here are a number of early photo-sculptures, including Speaker I: and Speaker II:, the first pair in what has become an ongoing series of speaker pieces in Bolande’s work.
The first critical survey of Bolande’s work, Landmarks, was recently held at the Institute of Visual Arts, Milwaukee, Wisconsin, and an exhibition catalog is forthcoming. Bolande studied at the Nova Scotia College of Art and Design in the mid-seventies. In the early eighties exhibiting with East Village conceptual gallery Nature Morte and with the first generation of Metro Pictures in New York City. Her work has been exhibited around the world and she has received awards from the John Simon Guggenheim Foundation, New York Foundation for the Arts, the Tesuque Foundation, the Durfee Foundation, and the Elizabeth Firestone Graham Foundation. Public collections include the Centre Georges Pompidou, Paris; Moderna Museet, Stockholm; SFMOMA, San Francisco; the MFA, Boston; MOCA, Los Angeles; and the Hammer Museum, Los Angeles. She is Professor of New Genres at UCLA and lives in Los Angeles and Joshua Tree.
Concurrent with this exhibition and continuing through 2011, Bolande’s project Plywood Curtains, produced by West of Rome, is visible in public spaces throughout Los Angeles. (For more information see: www.womeninthecity.org). Coming soon to a void near you!
1957 Born in Cleveland, Ohio
1979 Nova Scotia College of Art & Design, BFA
Lives and works in Joshua Tree and Los Angeles
AWARDS
2010 Durfee Foundation ARC Grant
Elizabeth Firestone Graham Foundation Grant
2007/08 John Simon Guggenheim Memorial Fellowship
2003 New York Foundation for the Arts Fellowship in Sculpture
1999 Tesuque Foundation
<mce:script type="><mce:script type="><mce:script type=">-space: pre;"> World Views Residency, Lower Manhattan Cultural Council
1985 Canada Council “B” Grant
1983 Canada Council “A” Grant
ONE AND TWO PERSON EXHIBITIONS
2010 “Mathematics and Myths of Yesterday and Today,” Thomas Solomon Gallery &
Thomas Solomon Gallery @ Cottage Home, Los Angeles
“Landmarks, 1982 – 2010 Survey Exhibition” Institute of Visual Arts, INOVA,
Peck School of the Arts, University of Wisconsin, Milwaukee
2008 “Smoke Screens” Alexander and Bonin, New York
2004 “Earthquake” Alexander and Bonin, New York
2003 Fotohof, Salzburg
2001 “Globe Sightings” Alexander and Bonin, New York
1999 “The City at Night” Alexander and Bonin, New York
P.S.1, Long Island City, NY
1998 Patricia Sweetow Gallery, San Francisco
1997 Baron/Boisanté Gallery, New York
1995 “Road Movie” John Gibson Gallery, New York
Kunstraum München, München, Germany
Kunsthalle Palazzo, Liestal, Switzerland (catalogue)
1994 Richard Telles Fine Art, Los Angeles
1993 Lipton/Owens Company (two-person exhibition with Tim Maul)
1992 Metro Pictures, New York
1991 Robbin Lockett Gallery, Chicago
1990 Urbi et Orbi, Paris (catalogue)
Galleri Nordanstad-Skarstedt, Stockholm, Sweden
Galerie Brenda Wallace, Montreal (two-person exhibition with Tim Maul)
1989 Margo Leavin Gallery, Los Angeles
Metro Pictures, New York
1988 Metro Pictures, New York
Beaver College Art Gallery, Glenside PA
Gallery 121, Antwerp, Belgium (two-person show with Tim Maul)
Galerie Sophia Ungers, Cologne (two-person exhibition with John Miller)
1987 Robbin Lockett Gallery, Chicago
1986 Nature Morte, New York
1985 Michael Bennett, New York
1983 Artists Space, New York
1982 The Kitchen, New York
SELECTED GROUP EXHIBITIONS
2010 "Another Green World," Carriage House, NYC, (curated by Peter Scott)
"Mixed Use, Manhattan: Photography and Related Practices 1970s to Present,"
Museo Centro de Arte Reina Sofia, Madrid, Spain (curated by Lynne Cooke
and Douglas Crimp)
Milwaukee International One-Minute Video Fair Tate Modern No Soul, “No Soul For Sale
Festival of Independents,” Tate Modern, Lo
ndon
2009 "Your California Dream," Bas Jan Ader, Jennifer Bolande, Allen Ruppersberg, Ed Ruscha,
Tom Simpson, Christopher Williams, Civic Room, London
"Phot(o)bject," Presentation House Gallery, Vancouver, B.C., curated by Robert Nickas;
and Lawrimore Projects, Seattle, Washington
2008 "Stay Alive til ’95," Alexander and Bonin Gallery, New York
2006 "Sixteen Tons," The Eli and Edyth Broad Art Center, UCLA, Los Angeles
2005 "The Art of Design: The Architecture and Design Collection," San Francisco Museum of
Modern Art
"The Forest: Politics, Poetics, Practice," Nasher Museum of Art, Duke University, Durham
North Carolina
"Mirage," Alexander and Bonin, curated by Julie Ault & Martin Beck, New York
"Editions," Alexander and Bonin, New York
"Out of Place," The UBS Art Gallery, New York
2004 "Architecture & Arts: 1900/2000," Palazzo Ducale, Genova
"the gallery selects…," Alexander and Bonin, New York
2003 "Contingent Living," Bodybuilder & Sportsman Gallery, Chicago
"Go Johnny Go," Kunsthalle Wien
"Sculptural Prints: A Group Exhibition of 3D Prints and Photographs," The Print Center,
Philadelphia
"Indoor/Outdoor," Limn Gallery, San Francisco
"OnLine," Feigen Contemporary, New York
"Influence, Anxiety, and Gratitude," MIT List Visual Arts Center, Cambridge
"Earthworks Now," Copper Mountain College, Joshua Tree, CA
"Living Inside the Grid," New Museum of Contemporary Art, New York
2002 "SCULPTURE," Alexander and Bonin, New York
"2 Step," CCNOA, Brussels
"A Celebration of Contemporary Art," Museum of Fine Arts, Boston
"The Photogenic: Photography Through Its Metaphors in Contemporary Art,"
Institute of Contemporary Art, Philadelphia
2001 "Song Poems," Cohen Leslie and Browne, New York
"(Self) Portraits," Alexander and Bonin, New York
"Big Nothing," Staatliche Kunsthalle Baden-Baden, Germany
2000 "City of Lights," Downtown Arts Projects at Baccarat, New York
"Photasm," Hunter College/Times Square Gallery, New York
"The City," Nicole Klagsbrun Gallery, New York
"Fluid Flow," James Graham and Sons, New York
"Insites: Interior Spaces in Contemporary Art," Whitney Museum of American Art at
Champion, Stamford, CT
"and away we go," Baron/Boisanté, New York
"Private Investigations," Presentation House Gallery, North Vancouver, British Columbia
1999 "Drawings," Alexander and Bonin, New York
"Trippy World," Baron/Boisanté Gallery, New York
"The Anagrammatical Body," Kunsthaus Muerz, Muerzzuschlag, Austria
"Multiplicity," Angles Gallery, Santa Monica, CA
1998 "Ada or Ardor," Nature Morte, New Delhi, India
"Aspects of Photography," Esso Gallery, New York
The Cottingley Fairies and Other Apparitions," Leslie Tonkonow Artworks & Projects,
New York; Memphis Brooks Museum of Art, TN
"ICON Bilder der Stadt," Galerie Fotohof, Salzburg, Austria
"Interpretations," Rotunda Gallery, Brooklyn, NY curated by Deena Shottenkirk
"Lost in the Woods," New Art Center, Newton, MA
"Night and Forgetfulness – in memory of Gilles Dusein," Musée d’art moderne et
Contemporain, Geneva
"Offene Grenzen," presented by Fotohof, Kuenstlerwerkstatt Lothringerstrasse, Munich
"Pudding," Feature, New York
1997 "Deep Storage," Haus der Kunst, Munich; Nationalgalerie, Berlin; Kunstmuseum,
Dusseldorf; PSI, New York; Henry Art Gallery, Seattle (catalogue)
1996 "Show and Tell," curated by Andrea Scott, Lauren Wittels, New York
"Dissimilar and Unrelated Sculptures," Baron/Boisanté Gallery, New York
"Departure Lounge," Clocktower Gallery, New York
"Inside/out," Momenta Art, New York
"Just Past," curated by Anne Goldstein, Museum of Contemporary Art, Los Angeles
"Blind Spot Photography: The First Four Years," Paolo Baldacci Gallery, New York
"Making Pictures:Women and Photography, 1975 – NOW," Nicole Klagsbrun, New York
"Projects," Baron/Boisanté Gallery, New York
"What I did on my summer vacation," White Columns, New York
1995 "It’s Only Rock and Roll," Contemporary Art Center Cincinnati; Lakeview Museum
of Arts & Sciences; Peoria; Virginia Beach Center for the Arts; Tacoma Art Museum;
Jacksonville Museum of Art; The Regional Center for the Arts, Walnut Creek, CA;
The Phoenix Art Museum; North Carolina Museum of Art, Raleigh; Lowe Art Museum,
University of Miami; Milwaukee Art Museum; Arkansas Art Center; Fresno Metropolitan
Museum, CA; Austin Museum of Art (catalogue)
"Photocollages," The Consortium, Dijon, France
"Smells Like Vinyl," Roger Merians Gallery, New York
1994 "Lessons in Life," The Art Institute of Chicago, Chicago, Illinois
"Synesthesia, Sound and Vision in Contemporary Art," The San Antonio Museum of Art,
San Antonio, Texas (catalogue)
"Sequential Photographs," Baron/Boisanté, New York
"The Music Box Project," The Equitable Gallery, NYC; Long Beach Art Museum, CA;
Spiral, Tokyo; curator: Claudia Gould (catalogue)
1993 "Bolande, Dopitova, Rist, Shirai," Municipal Gallery of the City of Prague, Czech Republic
"Contacts/Proofs," curated by Gary Sangster, Jersey City Museum
"Jennifer Bolande, Sophie Calle, Vic Muniz & Mike Scott," Wooster Gardens, New York
"The Return of the Cadavre Exquis," Drawing Center, New York
1992 "Jennifer Bolande, Sylvia Gertsch, Marie-Therese Huber, Pippilotti Rist, Mio Shirai,"
Shedhalle, Zurich, Switzerland (catalogue)
"Sculpturen-Fragmente," Weiner Secession, Vienna (catalogue)
1991 "American Art Today: New Directions," The Art Museum at Florida International
University, Miami
"Anni Novanta," Galleria Comunale d’Arte Moderna, Bologna, Italy
"Constructing Images: Synapse Between Photography and Sculpture," curated by
Ingrid Schaffner, Lieberman & Saul Gallery, NYC, Tampa Museum of Art,FL, Center for
Creative Photography, Tucson, AZ (catalogue)
"Something Pithier and More Psychological," Simon Watson Gallery, New York
1991 "Stuttering," curated by Vik Muniz, Stux Gallery, New York
1990 "Age of Information," Andrea Ruggieri Gallery, Washington, D.C.
"Disconnections," Galleri Nordanstad-Skarstedt, Stockholm
"Information," Terrain, San Francisco
"The Köln Show," Cologne
"The Readymade Boomerang," Eighth Biennale of Sydney, Sydney (catalogue)
"Sculpture," Margo Leavin, Los Angeles
"Das Sibyllinische Auge, (The Sibylline Eye)" Barbara Gross Galerie, Munich (catalogue)
"Status of Sculpture," L’espace Lyonnais d’Art Contemporain, Lyon; ICA, London;
Lowen-Palais, Berlin (catalogue)
"Stendahl Syndrome: The Cure," Andrea Rosen Gallery, New York
"Viewpoints Towards the 90’s: Three Artists from Metro Pictures, (Bolande, Kelley, Miller),"
Seibu Contemporary Art Gallery, Japan (catalogue)
1989 "A Climate of Site," curated by Robert Nickas, Galerie Barbara Farber, Amsterdam
"A Good Read: The Book as Metaphor," Barbara Toll, New York
"Avant 1989," organized by Haim Steinbach, Villa Gillet-Frac Rhone-Alpes, Lyon
(catalogue)
"Dream Reality," curated by Peter Nagy, The School of Visual Arts Gallery, New York
"The Experience of Landscape: Three Decades of Sculpture,"
The Whitney Museum of American Art Downtown at Federal Reserve Plaza, New York
Galerie Brenda Wallace, Montreal
Galerie Contur, Stockholm
"Jennifer Bolande, Tim Ebner, Mike Kelley, Ken Lum," Robbin Lockett Gallery, Chicago
Metro Pictures, New York
"Moscow-Vienna-New York," The Vienna Festival, Vienna
"Painting/Object/Photograph," Barbara Krakow Gallery, Boston
"Pathetique," organized by Ronald Jones, Galerie Schmela, Dusseldorf
1988 "Detail in the Cottage," curated by Mitchell Kane, Randolph Street Gallery, Chicago
"The Dog Within," Galerie Hubert Winter, Vienna
Galerie Barbara Farber, Amsterdam
"Graz 1988," Stadtmuseum Graz, Austria (catalogue)
"Hover Culture," curated by Ronald Jones, Metro Pictures, New York
"Made in Camera," curated by Peter Anderson, Galerie Sten Eriksson,
Stockholm (catalogue)
Metro Pictures, New York
"The Pop Project," The Clocktower, New York (catalogue)
"Reprises de vues," Halles Sud, Geneva
"Presi per Incantamento," Padiglione d’Arte Contemporanea, Milan (catalogue)
"Works Concepts Processes Situations Information," curated by Robert Nickas,
Hans Mayer, Dusseldorf (catalogue)
1987 Annina Nosei Gallery, New York
"Atlantic Sculpture," Art Center College of Design, Pasadena, California (catalogue)
"Beyond the Image," First Street Forum, St. Louis, Missouri
"Bolande, Dryer, Lemieux," Lawrence Oliver Gallery, Philadelphia
"Material Fictions," 49th Parallel, New York
1987 Metro Pictures, New York
"Photo Mannerisms," Lawrence Oliver Gallery, Philadelphia
"Playback," Galerie Hubert Winter, Vienna
Robbin Lockett Gallery, Chicago
1986 "Cinemaobject," City Gallery, New York, curated by Dennis Adams
"Liberty and Justice," (Group Material) The Alternative Museum, New York
Metro Pictures, New York
"Photography," 303 Gallery, New York
"When Attitude Becomes Form," Bess Cutler Gallery, New York, curated by Robert Nickas
1985 Christminster Gallery, New York
"Infotainment," Texas Gallery, Houston; Rhona Hoffman Gallery, Chicago;
Vanguard Gallery, Philadelphia; The Aspen Art Museum, Aspen, Colorado; Galerie
Montenay, Paris (catalogue)
"Jennifer Bolande, Clegg & Guttman, David Robbins," Nature Morte, New York
Michael Bennett Gallery, New York
"World View," CEPA Galleries, Buffalo, New York
1984 "Motives," Hallwalls, Buffalo, New York
"(Some Places East of Eden)," The Kitchen, New York, curated by Howard Halle
1983 "Hundreds of Drawings," Artists Space, New York
The Kitchen, New York
1982 Bard College, Annandale-on-Hudson, New York
"Public Vision," White Columns, New York
"Real Life Magazine Presents," White Columns, New York
"Resource Material: Appropriation in Current Photography," Proctor Art Center,
Bard College
SELECTED BIBLIOGRAPHY – Monographs
1995 Hoffmann, Justin, and Phillip Ursprung, Jennifer Bolande Basel/Liestal:
Kunsthalle Palazzo
1992 Salvioni, Daniela and Gertrude Sandqvist, Jennifer Bolande New York:
Nordenstad-Skarstedt
1990 Sans, Jerome, Jennifer Bolande (ex.cat.) Paris: Urbi et Orbi
SELECTED BIBLIOGRAPHY –Books and Catalogues
2009 Speak for the Trees, Andrea Freisen, Marquand Books, 2009
2006 Darling, Michael (curator). Sixteen tons (ex. cat.). Los Angeles: UCLA Department of Art
2005 Architecture & Arts: 1900/2004 A Century of Creative Projects in Building, Design,
Cinema, Painting, Sculpture.
(edited by Germano Celant) Milan: Skira Editore S.p.A.
Goncharov, Kathleen. The Forest, Politics, Poetics, and Practice (ex. cat.). Durham, North
Carolina: The Nasher Museum of Art
Scott, Peter. Out of Place (ex. cat.) New York: UBS Art Gallery and Momenta Art
2001 Batchen, Geoffrey. Each Wild Idea, Cambridge: Massachusetts Institute of Technology
1998 Schafner, Ingrid. Deep Storage, New York: P.S.1
1995 Rubin, David. It’s Only Rock and Roll (ex. cat.), Cincinnati
1990 Graw, Isabelle Ed. Nachschub, The Köln Show (ex. cat.)
Lieberman, Rhonda and Catherine Liu (essays) Stendahl Syndrome: The Cure (ex. cat.)
New York: Andrea Rosen Gallery
New Art. New York: Harry N. Abrams, Publisher
1989 Jones, Ronald (essay) Avant 1989 (ex. cat.) Lyon: Villa Gillet-Frac Rhone-Alpes
Nickas, Robert (essay) A Climate of Site (ex. cat), Amsterdam: Galerie Barbara Farber
Nickas, Robert (interviews) Works Concepts Processes Situations Information (ex. cat.),
Dusseldorf: Galerie Hans Mayer
Willers, Karl (essay) The Experience of Landscape: Three Decades of Sculpture
(ex. broch.), The Whitney Museum of American Art Downtown at Federal Reserve Plaza,
New York
Winter, Hubert, Oliver Wasow and Viktor Misiano (essays) Moskow-Vienna-New York
(ex. cat.) Vienna: Vienna Festival
1988 Lawson, Thomas. “Nostalgia as Resistance,” in Modern Dreams (ex. cat.), New York:
The Institute for Contemporary Art
Presi X Incantamento (ex. cat.) Milan: Giancarlo Politi Editore and Padiglione d’Arte
Contemporanea
Made in Camera (ex. cat) Stockholm: VAVD Editions and Gallerie Sten Eriksson
1986 Lawson, Thomas, David Robbins and George W.S. Trow, (essays) Infotainment
(ex. cat.) New York: J. Berg Press
1985 Jones, Ronald (essay) Material Fictions (ex broch.) New York: 49th Parallel and
University Art Gallery, State University of New York, Binghamton
SELECTED BIBLIOGRAPHY - Reviews and Articles
2009 “New Dimensions in Photography” Kevin Griffin, The Vancouver Sun, 05/23/09
2008 Maul, Tim, “Jennifer Bolande” Art in America, (May 2008)
2005 Doran, Anne, "Mirage," Time Out New York, no. 509 (July 30 - July 6, 2005)
Stone, Katie. “Jennifer Bolande.” frieze, issue 89 (March 2005): 120-123
2004 Fels, Sophie. “Reviews: Jennifer Bolande.” Time Out, Issue No. 480
(December 9-15, 2004): 82
Bankowsky, Jack. “Best of 2004.” Artforum (December 2004): 162-163
2003 “The Print Center Presents Sculptural Prints Exhibition.” City Suburban News
(September 10-September 16, 2003)
Hopkins, Randi. “Group hug: Anxiety, healing, McDonald’s, and more.”
Boston Phoenix (March 28, 2003)
ed. Edith Newhall, “Art.” New York (March 10, 2003): 99
Rexer, Lyle. “Using Art to Start A Global Conversation.” The New York Times
(Sunday, February 23, 2003): 50-51
Sherman, Mary. “Idol worship: Artists honor the famous with remakes.”
Cambridge Tab (Friday, June 6, 2003): 27
2002 Nichols, Matthew Guy. “Jennifer Bolande.” Art on Paper (March-April 2002): 88
Schaffner, Ingird. “The Unphotographable.” Art on Paper (March-April 2002): 58-63
“The New Season/Art.” The New York Times (Sunday, September 8, 2002)
2001 Halle, Howard “World Up.” Time Out New York, no. 320 (November 15-22, 2001): 89
2000 Chin, Natasha Adda. “Private Investigations.” The Ubyssey (Vancouver)
(March 7, 2000): 11
Henry, Karen. “Private Investigations.” Arts Alive, Vol. 6 no.1 (North Vancouver)
(March-April 2000): 18-19
Ottmann, Klaus. “Works on Paper.” ARTnews, Vol. 99 no.4 (May 2000): 232
Princenthal, Nancy. “Jennifer Bolande at Alexander and Bonin.” Art in America
(January 2000): 113
Schmerler, Sarah. “Jennifer Bolande.” Art on Paper, Vol.4 no. 3
(January-February 2000): 80-81
Schmerler, Sarah. “Art Reviews: Fluid Flow.” Time Out New York
(July 27-August 3, 2000): 58
Scott, Michael. “Art of the sneak peek.” The Vancouver Sun (March 11, 2000): E12, E13
Siegel, Katy. “Best of 2000: Time Flies.” Artforum, XXXIX, No. 4
(December 2000): 116-117
Siegel, Katy. “Jennifer Bolande: Appliance House.” Artforum (January 2000): 88-89
1999 Arning, Bill. “Art Reviews: Jennifer Bolande.” Time Out New York (October 7-14, 1999): 84
Dike, Blair. “Auto-emotive design.” (photo essay) Artbyte 1, no. 1 (April/May 1999): 36
Fulcher, Dawn. “Jennifer Bolande.” Contemporary Visual Arts 24 (summer 1999): 82-83
“Galleries: Jennifer Bolande” New York (September 13, 1999): 113
Johnson, Ken. “Trippy World.” The New York Times (October 22, 1999): E41
“Little Lever.” New York (September 20, 1999): 84-85, 87
1998 Baker, Kenneth. “Abstractions and Hallucinations.” San Francisco Chronicle
(November 28, 1998)
Artbyte 1, no. 1 (1998): 12-13 (photo essay)
Goldberg, Vicki. “Of Fairies, Free Spirits and Outright Frauds.” The New York Times
(February 1, 1998): 48
Green, Charles. “Ada or Ardor.” Artforum (April 1998)
Temin, Christine. “‘Lost’ finds way with nature.” The Boston Globe (April 8, 1998)
Green, David A.. “Assembly Line.” The Village Voice (July 21, 1998)
1997 Griffin, Tim. “Projects, 3 new + 3 old.” Time Out New York (January 16-23, 1997)
Kimmelman, Michael. “Jennifer Bolande, Forest Spirits.” The New York Times
(April 18, 1997)
Griffin, Tim. “Jennifer Bolande, The Forest Spirits.” Time Out New York, 84
(May 1–8, 1997)
Palmer, Laurie. “Separated at Birth.” Frieze, 34 (May 1997): 31-33
Pederson, Victoria. “Miniature Masterpieces.” Paper, New York (May 1997)
Hirsch, Faye. “Jennifer Bolande, Forest Spirits.” On Paper (May-June 1997)
Frances, Richard. “Jennifer Bolande.” Artforum (October, 1997)
1996 Aukeman, Anastasia. “Jennifer Bolande.” Art in America (January 1996)
Smith, Roberta. “Inside/Out.” The New York Times (September 20, 1996)
1995 Folland, Tom. “Jennifer Bolande.” Art Issues, no. 36 (Jan/Feb 1995): 40
Cotter, Holland. “Jennifer Bolande.” The New York Times (March 17, 1995)
Cameron, Dan. “Jennifer Bolande.” Artforum (summer, 1995)
Teibler, Claudia. “Ganz genau hinschauen.” Münchener Merkur (June 12, 1995)
Sonna, Birgit. “Aktuell in munchner Galerien.” Suddeutsche Zeitung (Munich)
(June 6, 1995)
Jardas, Margaret. “Von Trucks und anderen Mannerdomanen.” Basler Zeitung
(Sept. 9, 1995)
Maurer, Simon.“Im Himmel tauchen.” Tages Anzeiger (Sept. 13, 1995)
Bolande, Jennifer. Blind Spot, no. 6 (1995) (photo essay)
1992 Cotter, Holland. “Jennifer Bolande.” The New York Times (June 5, 1992)
Maclay, Catherine. “Twice Captured Images.” San Jose Mercury News,
Magazine section, (July 10, 1992): 45
Bonetti, David. “Art” San Francisco Examiner (August 28, 1992): C2
Baker, Kenneth. “Art.” San Francisco Chronicle, magazine section, (August 23, 1992)
Connelly, John. “Jennifer Bolande.” Flash Art, (October-November 1992): 98
de Bruyn, Eric. “Jennifer Bolande.” Forum International, no. 14
(September-October 1992): 104
Batchen, Geoffrey. “On Post-Photography, Constructing Images: Synapse Between
Photography and Sculpture.” Afterimage 20, no. 3 (October 1992): 17
1991 Renton, Andrew. “Status of Sculpture, ICA London.” January/February, page 137-38
Hoffmann, Justin. “Wahrnehmen Ist Das Abtragen Von Schichten.” an interview
with Jennifer Bolande, Artis, (Bern, Switzerland) (March, 1991): 48-53 (in German)
Leiberman, Rhonda. “Stuttering, Stux Gallery.” Flash Art (March-April 1991): 137
Marger, Mary Ann. “Latest in Smart Art.” St. Petersburg Times (December 31, 1991)
1990 Cyphers, Peggy. “New York Review: Jennifer Bolande.” Arts (January 1990): 96
Decter, Joshua. “Jennifer Bolande.” Flash Art (January-February 1990): 129-30
Balma, Piero. “New York: A Kaleidoscope from Outside.” Segno, Umberto Sala Ed.
Campitelli, Maria. “Jennifer Bolande.” Juliet Art Magazine (Trieste) (April 1990)
Gravel, Claire. “Les objets orphelins de Jennifer Bolande; les photographiers de
l’invisible de Tim Maul.” Bijutsu Techo Magazine 42, no. 627 (Japan) (August 1990)
1989 Marincola, Paula. “Something to Do with Jennifer Bolande.” Artforum
(January 1989): 70-73 and cover illustration
Magnani, Gregorio. “This Is Not Conceptual.” Flash Art (March/April, 1989): 107
Christov-Bakargiev, Carolyn. “Avant 1989, Villa Gillet-Frac Rhones-Alpes.” Flash Art
(March-April 1989): 124
Magnani, Gregorio. “Koln Letter.” Art Issues (Los Angeles) (May 1989): 29
Messler, Norbert. “Jennifer Bolande, John Miller, Sophia Ungers.” Artscribe
(May 1989): 89
Gargerie, Christian. “Graz 1988, Kunstverein.” Artscribe (May 1989): 91 - 92
Willems, Sophia. ”Pathos des kleinen Formats.” Dusseldorfer Nachrichten (Dusseldorf)
Geer, Sewan. “The Galleries.” Los Angeles Times (June 23, 1989): 14 - 15
Rubin, Jane. “Haim Steinbach and Dennis Adams, Alan Belcher, Jennifer Bolande.”
Art Issues, no.6, (Los Angeles) (September-October 1989): p.23
Smith, Roberta. “Jennifer Bolande.” The New York Times (October 20, 1989): C28
“The Galleries.” The New Yorker (October 30, 1989): 16
Ball, Edward. 7 Days, (November 8, 1989): 70
Robinson, Walter. “Vagrant Objects.” Elle (October 1989): 90
Cameron, Dan. “Pop n’ Rock.” Art Issues (Los Angeles) (November 1989): 9-12
1989 O’Looney, Katie. “Letter from New York.” Apex, no. 7 (Cologne): 46-49
1988 Marincola, Paula. “Photo-Mannerisms: Lawrence Oliver Gallery.” Artforum
(February 1988): 151
Jones, Ronald. “Jennifer Bolande: Robbin Lockett.” Artscribe (March-April 1988): 89
Bolande, Jennifer. “Une Conversation entre Jack Bankowsky et Robert Nickas.”
Halle Sud, Geneva, No 18 (originally published in English in Flash Art, May-June)
McClintic, Miranda. “Sculpture Today.” Art & Auction (May 1988): 161
Graw, Isabelle “Still-Life.” Wolkenkratzer Art Journal (Stuttgart)
(January-February 1988): 54-56
“Jennifer Bolande: A Salient Point (Detail): A Conversation Between Jack Bankowsky and
Robert Nickas.” Flash Art (May-June 1988): 78-79
Jones, Ronald. “Hover Culture.” Artscribe (London) (summer, 1988): 46-51
Johnson, Ken. “Jennifer Bolande at Metro Pictures.” Art in America (October, 1988): 193-4
Sozanski, Edward J. “19 Works Making A Lot Out of Little.” Daily Magazine,
The Philadelphia Enquirer (November 3, 1988)
Weinstein, Matthew A.. “Jennifer Bolande, Metro Pictures.” Artforum
(November, 1988): 142
Messler, Norbert. “Group Exhibition: Barbara Farber.” Artscribe (May, 1988): 90
N.B. “‘Reprises de Vues’ Halle Sud.” New Art International (Paris)
(October 1988): 78-79
1987 Grundberg, Andy. The New York Times (August 9, 1987)
Bankowsky, Jack. Flash Art no. 135 (summer 1987): 94
Ottman, Klaus. “Jennifer Bolande, Moira Dryer, Annette Lemieux.” Flash Art (April 1987)
1986 Robbins, David. “(Untitled).” Arts (March 1986): 22-23
Indiana, Gary. “Talking Back.” The Village Voice (February 11, 1986): 84
Grundberg, Andy. “New Perspectives in Photography.” The New York Times
(September 12, 1986)
Poirier, Maurice. “When Attitude Becomes Form: Bess Cutler Gallery.” Artnews,
(December 1986): 163
Levin, Kim. The Village Voice (October 7, 1986)
1985 Sax, George. “World View Explores Aesthetics of Photographs.” Buffalo News
(March 5 1985)
Halle, Howard. “The Anticipated Ruin.” Spectacle, no. 3, (Los Angeles)
1984 Licata, Elizbaeth. “Artists Explore the Art of Making Statements.”
The Spectrum Prodigal Sun, Buffalo, New York (March 6, 1984)
Bannon, Anthony. “Review: Art.” The Buffalo Evening News (March 6, 1984)
1983 Lawson, Thomas. “Victor Alzamora and Jennifer Bolande.” Artforum (March 1983): 76
1982 Westerbeck, Colin. Artforum (summer)
Linker, Kate. Artforum. (November 1982)
Grundberg, Andy. “In Today’s Photography, Imitation Isn’t Always Flattery.”
The New York Times (November 14, 1982)
After Image 10, no. 5 (December 1982)
SELECTED BIBLIOGRAPHY – Writings
2006 Real Life Magazine Selected Writings and Projects 1979-1994, Primary Information, NY
2003 "Remembering Jack Goldstein," Afterall, (Issue 7, 2003): 116-117
1988 Journal of Contemporary Art, New York, (fall-winter, 1988): 56-61
1985 “***1⁄2,” Picture This, Films Chosen By Artists, Buffalo: Hallwalls Contemporary, 1995
“Art and Poetry,” LAICA Journal 5, no.41 (spring 1985)
1981 “Elk grazed as if nothing had happened,” Real Life Magazine, no. 7, (autumn 1981)
1980 “A Mood on the Rise,” Real Life Magazine, no. 34, (summer film issue)
SELECTED PUBLIC COLLECTIONS
Museum of Fine Arts, Boston
The Israel Museum, Jerusalem
Museum of Contemporary Art, Los Angeles
Miami Art Museum
The Jane Voorhees Zimmerli Art Museum at Rutgers University, New Brunswick
Centre Georges Pompidou, Paris
Moderna Museet, Stockholm
San Francisco Museum of Modern Art
Hammer Museum, Los Angeles